Three Crombies in a row

Normally, the only reason that I'd be reading three books in a mystery series one after the other is because the series was new to me and after one book I'd fallen in love with it. {That happened with Louise Penny's books, for example.} But I've been reading Deborah Crombie's books about Duncan Kincaid and Gemma James since they first began {the newest one, The Sound of Broken Glass. is the 15th}, and I've grown to like them so much that I pre-order them from Amazon as soon as a new one is on the horizon.  But since buying a book I haven't read because I can't wait to read it is one of the best ways to ensure that I won't read it, I put The Sound of Broken Glass on reserve at the library instead, and then realized that I'd need to catch up before it arrived. Because this is definitely a series that is as much about the characters as the crime, and for that reason it's also one that wants to be read in order.  {But if you find yourself reading the new one, and then going back and reading the first fourteen, that's OK, too.}

Being two books behind means that it's been about three years since I read one of her books, and I 'm noticing things that I always knew and things that I didn't remember.  One of the wonderful things about this series is how likable, and real, the characters seem, and how much you come to want to know what happens to them. {That's not a very profound observation, I know, but still. In Necessary as Blood, they ... No, I won't ruin it for you, :)} I think one of the best things about Crombie's writing is that she works with layers and layers of small details -- clothing, weather, the color of a house, the furniture in a room, a meal, a gesture, an expression -- that makes it easy to know what Duncan and Gemma look like, what they see as they walk through their neighborhood, what their children will say or do next.  And even with all these details, the writing isn't overly narrated or descriptive. 

The other thing I noticed, especially in these last two books, is the chapter headings, with quotations from books that reflect the setting or the circumstances of the crimes.  In No Mark Upon Her, the setting is Henley, home of a famous rowing race, what starts everything going is the  disappearance of a high-ranking Scotland Yard officer who is also a champion rower hoping for a comeback, and the the quotations are from books about rowing and famous races. In Necessary as Blood, which came first, a young mother living in London's East End leaves her toddler with a friend and is never seen again, and some of the quotations were very intriguing, and almost poetic.  They were taken from a book titled 18 Folgate Street:  The Tale of a House in Spitalfieds, by Dennis Severs, and -- it's a book about a house, after all -- I wondered about it, and found it, and am looking forward to reading it, or at least poking through it. {It's a library book, so there's more of a chance that I will. :)}  This might be one of the most unusual paths to a book that I've ever followed...

Just a few thoughts on why I like these books so much. The Sound of Broken Glass is waiting for me at the library, and though I might have liked to spread this reading out a little more I'm looking forward to it even more now.