‘Do you think Loveday had any sense of what was going on?’Last month and this have been good months for finding new mysteries to read. I first heard of Nicola Upson and her books, featuring playwright and mystery writer Josephine Tey, when P.D. James mentioned them in Talking About Detective Fiction, and I've now read (and enjoyed) the first two books in the series. (The third, Two for Sorrow, will be available here next year.)
'No, she was far too young to understand.’
She wasn’t too young now, though, Archie thought, and there was no way that all the complexities of Harry’s love for Morwenna would have died with his parents. ‘Loveday said you’d argued a lot with Harry recently, and that you even had to lock yourself in your room to keep him away.’
‘She told you that?’
He hesitated. ‘Not exactly.’
‘Ah — she told your friend, then. How useful for you to have a spy in residence.’ Archie started to deny that it was like that, but of course — in effect — it was.
These mysteries, set in the 1930s, are put together with an intriguing blend of historical fact and imagined fiction, and I think Nicola Upson is more skilled in doing that credibly than some other mystery writers have been. In An Expert in Murder, Josephine travels from Inverness to London for the closing week of her wildly successful play, Richard of Bordeaux. She shares her train carriage with Elspeth Simmons, a young woman who is besotted with the play, and becomes involved investigation when Elspeth and another figure from the theater are murdered.
If there's any fault for me to find with these books, it's that Josephine is a curiously bland character. She is the more serious foil to her actress and costume-designer friends {there's a wonderful note about Lettice and Ronnie Motley here} and a sounding board for Scotland Yard Detective Inspector Archie Penrose, a cousin of the Motleys connected to Josephine through the fiance she lost in World War I.
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painting by Cornwall artist Violet Mainwaring, seen here |
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